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Willard Stone (February 29, 1916 – March 5, 1985)〔David C. Hunt, ("Stone, Willard" ) at Oklahoma Historical Society (''Encyclopedia of Oklahoma History and Culture'' ) (retrieved March 20, 2009).〕 was an important Native American artist of the 20th century, best known for his wood sculptures done in a distinctively personal, flowing style inspired by Art Deco. ==Biography== Stone was born and raised in Oktaha, Oklahoma.〔 Stone's early interest in drawing and painting was thwarted when, at the age of 13, he picked up a blasting cap he found while walking home from school, and it exploded. Stone lost the thumb and most of two fingers on his right hand. He nevertheless became an accomplished sculptor and wood carver.〔James D. Watts, Jr., ("'Storyteller in Wood' opens at Gilcrease," ) ''Tulsa World'', February 21, 2009.〕 He took art classes at Bacone College, where he studied under Acee Blue Eagle and Woody Crumbo.〔 Crumbo used his influence with oilman and collector Thomas Gilcrease to further Stone's career, and in 1946 Gilcrease offered Stone an artist-in-residence position at the Gilcrease Museum in Tulsa. Stone worked for Gilcrease for three years.〔Anne Morand, Kevin Smith, Daniel C. Swan, Sarah Erwin, ''Treasures of Gilcrease: Selections from the Permanent Collection'' (Norman: University of Oklahoma Press, 2005), ISBN 978-0-8061-9956-6, pp. 96, 108-110, (excerpt available ) at Google Books.〕 He developed a distinctive modern style influenced by Art Deco and Art Nouveau, and took on contemporary topics such as nuclear warfare as well as less stylized works inspired by nature.〔 After leaving Gilcrease, Stone worked in Tulsa at an iron works and for Douglas Aircraft Company. After 1961 he was finally able to devote himself entirely to art, opening a permanent studio near Locust Grove, Oklahoma, from which he continued to work until his death in 1985. Stone was inducted into the Oklahoma Hall of Fame in 1970 and received honorary degrees from Bacone College and Oklahoma Christian College.〔 Stone, Crumbo, and Blue Eagle became the three Native American artists most closely identified with Gilcrease.〔 Gilcrease ultimately acquired more than 50 of Stone's works.〔 In addition to the large collection at Gilcrease, Stone's art is collected in many other museums, including the Five Civilized Tribes Museum in Muskogee, the Cherokee Heritage Center near Tahlequah, the Smithsonian,〔 the Fred Jones Jr. Museum of Art at the University of Oklahoma, the Great Plains Art Museum at the University of Nebraska–Lincoln, and the Museum of Western Art (formerly the Cowboy Artists of America Museum) in Kerrville, Texas.〔(Museum References for Willard Stone ) at Askart.com (retrieved March 21, 2009).〕 Stone was one-quarter Cherokee ancestry,〔 but he was not an enrolled tribal member,〔("Stone Family History" ) at Willard Stone Museum official website (retrieved March 21, 2009).〕 making his classification as a Native American artist a source of controversy at times.〔Ward Churchill, ''From a native son: selected essays in indigenism, 1985-1995'' (South End Press, 1996), ISBN 978-0-89608-553-4, pp.486, 496, (excerpt available ) at Google Books.〕〔Wilma Mankiller, ''Mankiller: a chief and her people'' (Macmillan, 2000), ISBN 978-0-312-20662-8, p. 108, (excerpt available ) at Google Books.〕 His sculpture "Exodus",〔("Exodus" ) at Willard Stone Museum website.〕 located at the Cherokee Heritage Center,〔("Trail of Tears" ) at Cherokee Heritage Center website (retrieved March 21, 2009).〕 is especially well known and is used extensively in Cherokee tribal materials.〔Lawrence Guthrie, ("Copyright Issues In the Cherokee Nation" ) at Special Libraries Association website (retrieved March 21, 2009).〕 Stone's "Lady of Spring" was included in the 1997-98 White House art exhibition "Twentieth Century American Sculpture at The White House: Honoring Native America."〔For more information about the White House sculpture exhibition, see Mary Lynn Kotz, ("At the White House: The First Lady's Sculpture Garden" ), ''Sculpture'', July/August 1998 (retrieved March 21, 2009).〕 The guide to the White House exhibition calls Stone "the unsung hero of Native American sculpture", and describes "Lady of Spring" (an elongated female nude) as "classic Art Deco," comparing it to the nudes of Alberto Vargas and "Spring Awakening" by Ferdinand Preiss.〔("Lady of Spring" ) at (Twentieth Century American Sculpture - Exhibit VI - Honoring Native America )〕 In 2009 the Gilcrease Museum held its first major exhibition in 20 years devoted to Stone's work, entitled "Storyteller in Wood."〔 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Willard Stone」の詳細全文を読む スポンサード リンク
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